Wolfgang Amadeus
Mozart
1756 - 1791
Complete works
Oratorios
Wolfgang Amadeus Mozart was a prolific composer and wrote in many genres.
Perhaps his best-admired work is in opera, the piano concerto and sonata, the symphony, and in the string quartet and string quintet.
Mozart also wrote much work for solo piano, other forms of chamber music, masses and other religious music, and numerous dances, divertimentos, and other forms of light entertainment.
How Mozart's compositions are listed. The indication "K." or "KV" refers to Köchel Verzeichnis (Köchel catalogue), i.e. the (more or less) chronological (i.e. by composition date) catalogue of Mozart's works by Ludwig von Köchel. This catalog has been amended several times, leading to ambiguity over some KV numbers.
The compositions of Mozart listed below are grouped thematically, i.e. by type of composition. Not all thematic groups of Mozart's works have a separate numbering that is generally accepted: Köchel only numbers symphonies (1 to 41), piano concertos (1 to 27, leaving out some early transcriptions by Mozart) and a few other groups. On the other hand, for most chamber music and vocal music there is no such numbering (or at least no generally accepted one).
Only relatively few of Mozart's compositions have opus numbers, as not so many of his compositions were published during his lifetime, so numbering by opus number proves quite impractical for Mozart compositions.
Complete Works
Symphonies
Childhood symphonies (1764–1771)
Salzburg-era symphonies (1771–1777)
Late symphonies (1778–1788)
Concertos
Piano concertos
Violin concertos
Wind concertos
Horn concertos
Woodwind concertos
Concertante symphonies
Sonatas
Piano music
Violin music
String quartets
String quintets
Piano trios
Serenades
Serenades
Quodlibets
Divertimenti
Marches
Dances
Masses
Masses
Sacred music
Requiem
Liturgical works
Church sonatas
Organ music
Operas
Operas
Oratorios
Oratorios and cantatas
Concert arias, songs and canons
La Betulia liberata - KV 118 (74c) -
- Sinfonia (0:00)
- Aria (Ozia) D'ogni colpa la colpa maggiore (3:56)
- Aria (Cabri) Ma qual virtù non cede (10:50)
- Aria (Amital) Non hai cor (14:24)
- Aria con Coro (Ozia) Pietà, se irato sei (19:22)
- Aria (Giuditta) Del pari infeconda (23:19)
- Aria con Coro (Ozia) Pietà, se irato sei (29:18)
- Aria (Achior) Terribile d'aspetto (33:15)
- Aria (Giuditta) Parto inerme, e non pavento (37:12)
- Coro (Tutti) Oh prodigio! Oh stupor! (44:08)
- Aria (Ozia) Se Dio veder tu vuoi (46:34)
- Aria (Amital) Quel nocchier che in gran procella (54:24)
- Aria (Giuditta) Prigionier che fa ritorno (1:00:59)
- Aria (Achior) Te solo adoro (1:09:36)
- Aria (Amital) Con troppa rea viltà (1:12:24)
- Aria (Carmi) Quei moti che senti (1:18:00)
- Aria con Coro (Giuditta) Lodi al gran Dio (1:20:21)
Davidde penitente - KV 469
- Coro e solo (Andante moderato) Alzai le flebili voci al Signor / SATB, Soprano I (0:00)
- Coro (Allegro vivace) Cantiam le glorie / SATB (6:53)
- Aria (Allegro aperto) Lungi le cure ingrate / Soprano II (9:19)
- Coro (Adagio) Si pur sempre benigno, oh Dio / SATB (14:14)
- Duetto (Allegro moderato) Sorgi, o Signore, e spargi / Sopranos I & II (15:29)
- Aria (Andante) A te, fra tanti affanni / Tenor (18:06)
- Coro (Largo) Se vuoi, puniscimi (25:34)
- Aria (Larghetto) Fra l'oscure ombre funeste / Soprano I (30:28)
- Terzetto (Allegro) Tutte le mie speranze ho / Sopranos I & II, Tenor (38:12)
- Coro e soli (Adagio) Chi in Dio sol spera / SATB, SST (41:41)
Oratorios and cantatas
Oratorio
Die Schuldigkeit des ersten Gebots, K. 35 (1767)
Betulia liberata, K. 118/74c (1771)
Kommet her, ihr frechen Sünde, Aria (Passionslied) for Soprano in B-flat, K. 146/317b (1779)
Cantata
Grabmusik (Cantata on the Holy Grave of Christ), K. 42/35a (1767)
"Dir, Seele des Weltalls", K. 429 (fragment, completed by M. Stadler) (1783)
Davide penitente, K. 469/468a (1785)
Die Maurerfreude (The Freemason's Joy), K. 471 (1785)
Per la ricuperata salute di Ofelia, K. 477a (1785)
Kleine deutsche Kantate: "Die ihr des unermeßlichen Weltalls Schöpfer ehrt" (Little German Cantata), K. 619 (1791)
Freimaurerkantate: "Laut verkünde unsre Freude" (Little Masonic Cantata), K. 623 (1791)
Concert arias, songs and canons
Masonic music
The following are compositions written for the Masonic Lodge:
Song, Lobegesang auf die feierliche Johannisloge: "O heiliges Band der Freundschaft treuer Brüder" (O sacred bond of friendship between true brothers), K 148/125h, (1772)
Cantata "Dir, Seele des Weltalls", K. 429/468a (fragment, completed by M. Stadler) (1783)
Song, "Lied zur Gesellenreise: Die ihr einem neuen Grad," K. 468, "for use at installation of new journeymen" (1785)
Cantata for tenor and male chorus Die Maurerfreude ("The Mason's Joy") K. 471 (1785)
The Masonic Funeral Music (Maurerische Trauermusik), K. 477/479a (1785)
Two songs for tenor and organ used for the opening and closing ceremonies of the lodge in Austria "Zur Neugekrönten Hoffnung":
Zur Eröffnung der Freimaurerloge: "Zerfließet Heut, Geliebter Brüder", K. 483 (1786)
Zur Eröffnung der Freimaurerloge: "Ihr Unsre Neuen Leiter", K. 484 (1786)
Cantata for tenor and piano, Die ihr die unermesslichen Weltalls Schöpfer ehrt, for use at meetings of the "Colony of the Friends of Nature," K. 619 (1791)
The Little Masonic Cantata (Kleine Freimaurer-Kantate) entitled Laut verkünde unsre Freude, for soloists, male chorus, and orchestra, K. 623 (1791)
Song, "Laßt uns mit geschlungen Händen," K. 623a, ("for the close of the lodge" and intended final chorus to K. 623) (1791; attribution uncertain)
OPERA ORATORIO `DIE SCHULDIGKEIT DES ERSTEN GEBOTS` KV 35
Die ihr des unermesslichen Weltalls Schöpfer ehrt, K.619
Kommet her ihr frechen Sünder, KV 146
Die Maurerfreude in E flat major, KV 471
- Arie (Allegro) Sehen, wie dem starren Forscherauge / Tenor (0:00)
- Accompagnato (Andante - Presto) Sehen, wie die Weisheit / Tenor (4:02)
- Solo mit Chor (Molto allegro) Drum singet und jauchzet, ihr Brüder / TTB, Tenor (4:57)
Grabmusik, KV 42 (35a)
- Aria (Allegro) Felsen, spaltet euren Rachen / Seele (0:00)
- Aria (Andante alla breve) Betracht dies Herz und frage mich / Engel (5:46)
- Duetto (Andante) Jesu, was hab'ich getan? / Seele, Engel (9:03)
- Coro. Jesu, wahrer Gottessohn (15:12)
Música masónica (Masonic music)
01 Laut verkünde unsre Freude, KV 623 - 1. Coro - Recitativo 'Laut verkünde unsre Freude' 0:00:00
02 Laut verkünde unsre Freude, KV 623 - 2. Aria 'Dieser Gottheit Allmacht' 0:03:15
03 Laut verkünde unsre Freude, KV 623 - 3. Recitativo 'Wohlan, ihr Brüder' 0:06:26
04 Laut verkünde unsre Freude, KV 623 - 4. Duetto 'Lange sollen diese Mauern' 0:07:26
05 Laut verkünde unsre Freude, KV 623 - 5. Allegro 'Laut verkünde unsre Freude' 0:10:24
06 Adagio and Fugue in C minor, KV 546 - 1. Adagio 0:11:56
07 Adagio and Fugue in C minor, KV 546 - 2. Fugue 0:14:13
08 Gesellenreise Die ihr einem neuen Grade, KV 468 0:18:17
09 Lobgesang auf die feierliche Johannisloge O heiliges Band der Freundschaft, KV 148 0:21:17
10 Dir, Seele des Weltalls, KV 429 - 1. 'Dir, Seele des Weltalls' 0:24:59
11 Dir, Seele des Weltalls, KV 429 - 2. 'Dir danken wir die Freude' 0:28:28
12 Maurerische Trauermusik, KV 477 0:32:32
13 Zur Eröffnung der Freimaurerloge Zerfliesset heut', geliebte Brüder, KV 483 0:37:18
14 Zum Schluss der Freimaurerloge Ihr unsre neuen Leiter, KV 484 0:39:28
15 Die Maurerfreude, KV 471 - 1. 'Sehen, wie dem starren Forscherauge' 0:42:49
16 Die Maurerfreude, KV 471 - 2. 'Drum singet und jauchzet, ihr Bruder' 0:48:00
17 Kleine deutsche Kantate Die ihr unermesslichen Weltalls Schöpfer ehrt, KV 619 0:49:44
18 Lasst uns mit geschlungnen Händen, KV 623a 0:56:46
Masonic Funeral Music, K. 477
CANTATA K. 477a "PER LA RICUPERATA SALUTE DI OFELIA"
Estreno de la Cantata K. 477a "Per la ricuperata salute di Ofelia", compuesta en 1785 por Antonio Salieri, Wolfgang Amadeus Mozart y "Cornetti" sobre texto de Lorenzo Da Ponte.
Zerflie heut, geliebte Brüder, KV 483
Zum Schluss der Freimaurerloge in G major, KV 484
7 Vocal Canons, KV 553-561
1. Canon Alleluia KV 553 (1788)
2. Canon Lacrimoso son`io, KV 555 (1788) 1:35
3. Canon `Grechtelt`s enk` KV 556 (1788) 3:35
4. Canon Nascoso è il mio sol KV 557 (1788) 5:20
5. Canon `Gehn wir im Prater` KV 558 (1788) 8:24
6. Canon `Difficile lectu mihi mars` KV 559 (1788) 10:19
7. Canon `Bona nox, bist a rechta` KV 561 (1788) 12:06